Long before “rhythm and blues” records replaced the use of “race records,” there was gutbucket , the kind of R&B played in dives and che...

Swamp Rock is a term coined by producer Jerry Wexler in the late 1960s to describe the sound of records made by Creedence Clearwater Reviva...

Today’s blog entry represents my 146th of this year, and 365th overall. Because it’s my 365th post—the number of days in a year, except when...

B side —Sometimes referred to as the “flip side” during the era of the 7” vinyl, 45 rpm single, meaningful only in contrast to the A side, w...

Perusing a portion of my vinyl LP collection the other day, I noticed how many of them bore the tell-tale mark of the cut-out bin. (A cut-ou...

Legend has it that Jerry Lee Lewis, the rock ‘n’ roll generation’s first “wild man,” was troubled by the sinful nature of his songs, particu...

The pedal steel guitar is to drunken self-pity what the amplified, distorted electric guitar is to drunken licentiousness. Two instruments, ...

There is a long history of mixed couples in American literature and popular culture: Huck and Jim, Ishmael and Queequeg, Natty Bumppo and Ch...

During this happy Halloween season, let’s not forget Edgar Allan Poe’s “The Fall of the House of Usher,” and its doomed, hypersensitive prot...

The emergence of psychedelic rock in the late 60s was fueled by the same cultural interest in exotica that inspired the 50s exotica of Les B...

Sleeve —the protective cover in which a vinyl LP record is packaged and stored, normally with distinctive graphics. According to Michael Jar...

I’ve observed on this blog once or twice before that so-called progressive rock (or “art rock”) developed in order to assuage pop guilt. The...